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Depends‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance
What the article says. More than six years after Ilya Khrzhanovsky premiered “DAU. Natasha” and “DAU. Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU Cinematic Universe. Turns out, however, that you […]
Why this stamp.
- “‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance” may be true only under conditions the headline skips — timing, who you are, or what “counts” as proof.
- The claim rests on attribution, a soft verb, or an unfinished process rather than a closed fact on the record.
- A fair desk leaves it Depends until the missing condition or second check lands.
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